Ka is a wheel

“A long tale, like a tall Tower, must be built a stone at a time.” – Stephen King

So I’m a Tower Junkie. The fun little mixes below are the result of an ongoing music project I’ve been working on since my last read-through of the Dark Tower series. The intent is not to make a soundtrack, but to tell the story, try to capture some of its soul in song.

Starting with the songs mentioned or referenced in the text of the series, I added others that seemed to apply, or move the story along. It’s funny. Been a while since my last journey with Roland and the ka-tet of 19, but when listening to these mixes, I can recall the sequence of events in detail.

It’s been fun, searching for versions with the perfect fit, embodying the characters (villains and all). While listening to The Upsetters trippy version of “Knock Three Times”, imagine a mischievous Walter, sitting at a campfire with Roland. And the mental image of Little Richard as Crimson King at the Tower cracks me the funk up every single time.

Then there’s the joyful accidents: the line, “There’s nothing left alive but a pair of glassy eyes” in the Stooges’ song “Gimme Danger”…or finding that the translation for “El Hervir Rojo” is loosely “as red as a lobster”. Calexico fits the tone so well. They’re an obvious choice for the score (heads up Ron Howard).

This project has been sitting dormant in my Music folder since before moving back to Lake Charles from Atlanta. I recently dusted it off, made a couple of changes, and decided to post for feedback, fun, or song suggestions.

Titles below in bold are those referenced within the series, though some of my choices in version were different from King’s.

“May it do ya fine”

1) Iggy and the Stooges – Gimme Danger
2) Calexico – Humano
3) Marty Robbins – Big Iron
4) Calexico – Glowing Heart of the World
5) The Upsetters – Knock Three Times
6) Calexico – Inch By Inch
7) Fats Waller – Dem Dry Bones

1) Calexico – El Hervir Rojo
2) The Breeders – S.O.S.
3) Paul Simon – Paranoia Blues
4) Velvet Underground – I’m Waiting for the Man
5) Little Richard – Good Golly, Miss Molly
6) Velvet Underground – Heroin
7) No Age – Fever Dreaming
8) Calexico – Train of Thought

1) Delta Spirit – John Henry
2) Fred Karlin – Chase (from Westworld OST)
3) Robyn Hitchcock – I Often Dream of Trains
4) Calexico – Ritual Road Map
5) Louis Armstrong and Jimmy Dorsey – The Skeleton in the Closet
6) Rodney Crowell – Wandering Boy
7) ZZ Top – Velcro Fly
8) Captain Beefheart & The Magic Band – Bellerin’ Plain
9) Nick Cave and the Bad Seeds – Train Long-Suffering
10) Jesse Ed Davis – Red Dirt Boogie, Brother

1) Dave Van Ronk – Careless Love
2) Calexico – Gypsy’s Curse
3) CCR – Tombstone Shadow
4) Jimmy Wakely – The Call of the Canyon
5) Pete Seeger – Farewell (Fare Thee Well)
6) Fats Waller – Oh Dem Golden Slippers

1) Crispian St. Peters – The Pied Piper
2) Dick Gaughan – Waist Deep in the Big Muddy
3) Magnificent Seven Theme
4) This Bike is a Pipe Bomb – We Shall Not Be Moved
5) Henry Burr – M-O-T-H-E-R (A Word That Means the World to Me)
6) The Cramps – Green Door
7) Bob Dylan – Oxford Town
8) Rev. Gary Davis – Hesitation Blues

1) The Lovin’ Spoonful – Summer in the City
2) Elton John – Someone Saved My Life Tonight
3) Frank Black and the Catholics – The Black Rider
4) Steve Earle – Jericho Road
5) Martha Reeves & the Vandellas – Nowhere to Run
6) Calexico – Transistorites
7) Lou Reed – White Light/White Heat
8) Calexico – Reverse Ranch
9) Bruce Springsteen – Born to Run
10) Phil Ochs – I Ain’t Marchin’ Anymore
11) Procol Harum – Wreck of the Hesperus
12) Ozzy Osbourne – Crazy Train
13) Bono – A Dying Sailor to His Shipmates
14) Dirty Dozen Brass Band – Amazing Grace

1) Calexico – Muleta
2) Al Haig – Mighty Like a Rose
3) Steve Earle – Red is the Color
4) Neil Young – Keep on Rockin’ in the Free World
5) Townes Van Zandt – The Spider Song
6) Richard Greene & Jack Shit – Shenandoah
7) Etta Baker – John Henry
8) Little Richard – Keep A Knockin’
9) King Crimson – Red
10) Leonard Cohen – Tower of Song
11) Wilson Pickett (ft Duane Allman) – Hey Jude

The Lost Hollows: A Peek Behind the Curtain

originally published on October 23, 2014 in Jambalaya News

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In 2013, I reviewed the Lost Hollows as a customer/victim and had so much fun that I decided to volunteer as an actor this time around and give readers a peek behind the curtain. In mid-August, I drove out to meet with Cynthia & Larry Eagle, proprietors of this open-air haunted attraction. I toured the trail, saw the newest updates, and by the end of that day, had my evil clown mask and costume picked out from the extensive inventory on site. Didn’t have to buy a thing.

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Stitches the Clown, take 1

When there’s no more room in Hell, the dead will walk the earth
It’s opening night on Friday September 26 and I’m listening to the Return of the Living Dead soundtrack, setting a tone for the evening on my way to Lost Hollows. I arrived at the site around 6pm to find a gathering of ghouls around the costume trailer, final touches being made to makeup and clothing. Soon, darkness falls across the land and all the volunteers are in their places, a palpable sense of excitement in the air. This is the true beginning of the Halloween season for us, looking ahead to all the trailers full of fresh victims, ripe for the scare.

The Eagles work all year on the Lost Hollows, planning and building new sets, updated scares. Their efforts have paid off again, as the Halloween spirit is undead and well here. Cynthia is an interior designer by trade, and Larry is an elementary school art teacher, so their artistic skills shine in imaginative sets like the Slaughterhouse, the Graveyard, and of course, the Carnival.

This set was a great place to cut my teeth as an actor in a haunted attraction, because it’s such a unique scare. Most other sets allow people to run on by, but guests in the Big Top can’t find the exit right off, so they’re trapped with an alley of evil clowns. We can’t be one-trick ponies. I pulled from countless hours of horror movie knowledge and watched other experienced volunteers to soon be stalking, mocking, dancing, and intimidating with the best of them. Continue reading

Luna celebrates 10th anniversary, with Chuck Fest

originally published on Sept 23, 2014 in Jambalaya News

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Folks, get ready for Chuck Fest, coming your way Saturday, October 4. This block party right in the heart of downtown Lake Charles is free to attend and features exclusively local bands, restaurants, artists, vendors, and more. Dave Evans, owner/operator of the Luna complex and organizer of Chuck Fest, said, “I want to showcase us, as a community, as businesses that were born and raised here.”

The first year of this new festival also happens to be Luna’s 10th anniversary, an enormous milestone for a locally-owned restaurant/live music venue downtown. In celebration of this achievement, I decided to take a look back with the man who built it all.

427126_10150662339388418_1190384072_n-300x193The personal highlights for Dave Evans include seeing over 1000 people on the street downtown for pub crawls & Halloween parties, and the culinary features on Luna in Louisiana Cookin’ and Louisiana Life magazines. This is spot on because his two main passions with the Luna complex are live music and food.

Evans’ experience in small business operation goes back to his childhood, as his parents Tim and Patricia owned La Normandie Lounge and Dave’s Oyster House. “I’ve been doing this since I was 13,” he said. “Being there as a kid flipping burgers, shucking oysters, helping in the kitchen. I didn’t go to culinary school and I’m fine with that, because I learned in the kitchen.”

Dave later decided it was time to run his own place. He simply called the new spot Dave’s Pub and opened the doors on midtown Ryan Street in the late 90s. Within a couple of months, he noticed the crowds getting bigger, lots of familiar faces. Dave’s Pub didn’t serve food, but the live music was kicking, and Dave helped support the Lake Area’s original music scene considerably, as he still does.

But alas, all good things must come to an end, and so went Dave’s Pub. We sure sent that place out with a bang though. I’ll never forget the epic party on his last night of business: jamming with Frigg A-Go-Go and Pink Noise until the end of the night…standing in a couple inches of water that covered the entire place, drinking Mike’s Hard Lemonade because it was the only thing left, saying goodbye to our home base as college students. Continue reading

Chaos Theory Art Show, Thurs Oct 2

originally published on September 23, 2014 in Jambalaya News

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Eric Manuel in his office with the Adam West Batman piece

“It’s not the show to come and see a nice painting of a duck, unless it’s Daffy.”

Eric Manuel is the Creative Director for the Henning Cultural Center at 923 Ruth Street in Sulphur, and he’s talking about their upcoming pop art extravaganza, Chaos Theory, which opens on Thurs Oct 2. This unique show happens once a year, with submissions from young regional talent on a wide variety of cultural iconography.

Manuel recently talked with LakeCharles.com and offered a preview of what to expect, including content from all realms of the geek universe, anything from Alien to the Mario brothers and beyond. This is fun art for the kid in all of us.

"Holly" by Christy Scothorn

“Holly” by Christy Scothorn

“At some local shows, you see a lot of traditional art: swamp scenes, alligators, fleurs de lis,” he said. “But at Chaos Theory, I find that people can stop and talk about the pieces for hours.” There is a universal resonance with these characters. As Eric said, “People from California walk in and they had the same experience with Batman as I had in little old Lake Charles.”

Besides a common, cross-regional bond, these heroes can teach a strong value system to kids. “Batman inspires in us the idea of doing right,” Manuel said. “He gives us a sense of morality.” Strong mythological characters were depicted as gods for ancient Greco-Roman children, and our modern day comic book & sci-fi movie heroes offer a similar function, an important one in Eric’s belief. “You don’t have to stop enjoying your childhood when you grow up. Maybe those childish things are some of the best qualities in you.”

While visiting Henning Cultural Center, I saw several Chaos Theory pieces, including two submitted by David McNeil: an intricate portrait illustration of Johnny Depp as Tonto in the new Lone Ranger and a framed cross stitch of all four Ninja Turtles, inspired by a screenshot from the infamous 1989 Nintendo side-scroller.

Other pieces for this year’s Chaos Theory include works inspired by Tool videos, a “kid-like” drawing of Groot from Guardians of the Galaxy, and tattoo-style art from John Davis at Iron Cypress and Craig Cooley at Atomic Heart. Manuel’s wife Jennifer, also an artist, submitted a different take on Adam West’s 1960s Batman, and high-schooler Georgia McNeil continues her streak of submissions to Chaos Theory, first showing artwork as an elementary student.

Art isn’t the only thing you can buy at the show either. Keith Welch carved handmade wooden wands for Harry Potter fans. “Instead of going to K-Mart and buying a plastic one, come to Chaos Theory and get a real, handmade wooden wand,” Manuel said.

chaosTheory-Alien by Eric Manuel

“Alien” by Eric Manuel

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SWLA Guide to Record Buying, Part 1: No-Name Vinyl Shop

originally published on September 11, 2014 at LakeCharles.com

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Music sales in general have been slowing for a while, but interest in vinyl has steadily been on the rise since 2006. Last year’s U.S. numbers saw CD sales drop 14% and digital tracks were down by 5.7%, but album sales went up over 30%. Our numbers are growing.

So what are some options in the Lake Area for buying music? Gone are the days of locally owned record shops like Bookworm’s Apple, Harvest Records, or Alternative Static, at least for now. Of course, there’s downloads or online purchases, and you might find a few CDs from the top of the charts at Best Buy or other big boxes. Perceptive music fans already know that Books-A-Million and Hot Topic sell LPs locally, but respectively, the prices are too high and the selection is way too small.

no-name_10_0-300x297The cure to Lake Area vinyl collector woes is just a short drive up I-10 east to the Frog Capital of the World, Rayne, Louisiana, also home to Christine Stelly’s No-Name Vinyl Records. This locally-owned resale shop, open since May of 2013, boasts an inventory of around 60,000 albums in all sizes, speeds, and genres. Lafayette and its surrounding regions have several choice record stores, but Miss Stelly’s place is the closest to Lake Charles and the most bargain-friendly.

No-Name’s selection is mostly classic rock, country, and soul, with prices ranging $1-3 on most records. Price quotes could be higher on premium titles, rare finds, or in-demand genres like blues and Cajun, but Christine is always open to counter offers. “I go between my head and the price books,” she said. “I want [my records] to go where they’re going to be appreciated. The prices are just suggestions.”

The majority of No-Name’s stock comes from Christine’s own personal finds over 40 years of hunting. “I’ve never done downloads in my life,” she said. “I never quit with records.” She had always wanted to open a shop, and one day her husband suggested it was time to take the house back from their enormous amount of records. “I still treasure every one of ‘em, but it got to be so many in my personal collection, I didn’t even know what I had,” Christine said. It was then a short leap from renting booths at a flea market to opening the shop on 215 N. Polk Street.

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Rootbeer & Mermentau release new album

originally published on September 4, 2014 at LakeCharles.com

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Rootbeer & Mermentau. The first thing to hit you is the band name, a mashup of monikers from guitarist/vocalist Rootbeer Ritchie and drummer Aaron Collins. Ritchie earned his rock and roll handle with “countless drunken nights yelling about root beer downtown,” he said. “And of course, partying with root beer by funneling and shotguning them.” He’s a big fan.

rootbeerMermentau-259x300Fans of fuzz rock however will love this duo, who officially drops their second album, self-titled, on Saturday September 13 when they perform at Luna Live for their CD release party.

The genre known as fuzz goes all the way back to rock and roll’s beginnings, Ike Turner’s “Rocket 88” through Link Wray and The Kinks (Ray Davies sliced through his amp’s speaker cone to get that famously crunchy guitar sound on “You Really Got Me”), and evolving through bands like Black Sabbath, the Stooges, and more recent names like Ty Segall and The Black Lips.

Then there’s Rootbeer & Mermentau. This “dirty” duo gets that fat, full tone from a combination of Collins’ huge drum sound and the two amp attack of Ritchie’s guitar, running through a Marshall JCM 900 and a Yorkville bass amplifier…both channeled through fuzz boxes. “That’s the key to the Rootbeer & Mermentau sandwich,” Ritchie said. “I love the fuzz. Never enough fuzz.”

A lot of people ask them where they’re hiding the bass player, because of the two amp approach, and it’s another key to Rootbeer & Mermentau’s musical character. “That bass amp really makes that sound we want when he’s banging the shit out of his guitar,” Collins said. There’s little room for fancy solos here with all those beefy chords.

The band got started in 2012 when Rootbeer moved back from a short stint at LSU, and ended up at Collins’ house one evening, accepting an offer of whiskey and good jams over being dragged to Cowboy’s dance club. “We got together and started banging out some tunes,” Collins said. “It just worked man, like instantly.”

Since then, they’ve built up a loyal following around the region and are currently embarking on a two week tour in support of the new record, with “two weeks across Texas, up to Denver, across to Kansas and Oklahoma, then back to the dirty south.”

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album art by Ben Von Duke

Earlier this year, Rootbeer & Mermentau traveled to New Orleans to record this newest album, tracking, mixing, and mastering with Chris Lanthier at Festival Studios, who you may recognize as the bass player for party crew Bujie and the Highrise. “He jumped in there as a third member of the band,” Collins said. “He fattened it up, super fuzzy and loud.” Ritchie added, “The album sounds huge. That thing’s dangerous man. Turn it up.”

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WIN SOME CASH!

originally published on July 22, 2014 at TheChuckLive.com

The Free Swim SOUP event returns to Stellar Beans this Sunday, July 27, at 4:30pm, and is now accepting ideas to vie for this month’s microgrant cash prize. It’s a simple concept, but needs some setup.

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As founder Victoria Bradford writes in the Free Swim brochure, “For $5 you receive soup, bread, and a vote.” For the fee, attendees are treated to a good meal in a collaborative environment with other folks and their grand schemes. Up to four pre-selected ideas are presented in fifteen minute slots, followed by Q&A with the audience, who then cast ballots for their favorite. Finally…a winner! And all money collected at the door goes to help fund their project. Time is also given to previous microgrant winners, who talk about their progress.

It’s as if reality TV competitions grew a brain. Four men enter, one man leave…with the money. All you need is a great idea and some drive to make it happen. Pack the place with your friends and supporters so your idea will be guaranteed to win. The more folks in attendance, the more money you win.

Any rules governing the event? Only that participants cannot use technology of any kind in their presentation, and the idea presented must benefit the community of Southwest Louisiana. A submission form for proposals is available at freeswim.org/soup and ideas are due on the Thursday before each SOUP event.

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Oh, Rhien’s “Nightmares”

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originally published on July 9, 2014 at TheChuckLive.com

Oh, Rhien got started when bassist Zac Lyons and drummer Joe Perry, formerly of post rock instrumental powerhouse Signals to Vega, decided to try out a singer. Instead, they found two: Brett Howell’s strong and melodic vocals mingle with that of former folk singer Taylor Briggs, fragile and sensual. Enter two new guitarists: Chase Bonin, who is a beast (with a thirst for metal), and Aaron Meyers, also of the killer lead vocals in the dirtiest of dirty Lake Chuck rock and rollers, Large Marge.

Blend all these influences with super catchy hooks, a dark, ambient feel, and enthusiasm. It has a winning potential, odd as it all might be.

And Oh, Rhien is on a streak, especially for being only a year old. They’re fresh off playing at the X-Games in Austin on June 6. Over 300 bands competed for votes through social media, some with waaaaay more “Likes”, and Oh, Rhien ended up in the Top 8 of the country, granting them an invite to perform.

They got general admission wristbands to any and all the events (met Tony Hawk, saw Bad Religion and Kanye West for free, hung out on the Big Air). They even got a trailer with their name on it…“the rockstar treatment” basically. Plus, seeing all the other great bands that’d been voted in gave them even more drive.
Earlier this year, LiveNation offered Oh, Rhien an opening slot in front of P.O.D. and Trapt, an awesome opportunity, with an assist from Rachel of Downfall Rising, that put the band in front of 4000 ears at the Bayou Music Center in Houston.

Brett’s still a bit stunned by it all. “You can work six, seven years in a band and not get these kinds of opportunities,” he said. “I know shit like this doesn’t happen every day, and I hope that people who know us…they know how much we appreciate it.” Continue reading

Watch the Watchers

Watchers

originally published on July 9, 2014 at TheChuckLive.com

The guys of Lake Area rock band Watchers (Chris Brennan, Clint English, Benjamin Ezell, and Joshua Bretton) stepped onto a pitch black stage at Luna Live for their first show. The band’s latest record, Fighting Patience, had been released two years prior, and they were finally ready to put the material to the test at a live concert.

On that night in January, they stepped into position with their instruments and looked out over the dimly lit crowd, a sea of heads almost 400 strong. They heard the barroom sounds of voices mingling, glasses and bottles clinking. Then the lights came up and an organ melody, the intro from the album’s leadoff single “The World We Live In”, cut through the din, and the crowds sang along and it was all timed perfectly.

Brennan describes this moment from Watchers’ first show as the highlight of his time with the band so far. “Just to hear the crowd erupt when the organ started, I was like ‘Holy shit this is awesome’,” he said.

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